Gallery
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Domestic Identity
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Transitions
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Experimenting
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Designs & Paintings
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Illusions.
Found my niche, found my(self).
Expansion.
Pushing the envelope of Domestic Space.
In 2013, after graduating from ASU, my work underwent a drastic change in material, design and firing. This album illustrates the growth of my work since then. As this body of work (and myself) continued to grow, in 2015 I began incorporating Props to further illustrate the complex context of my work when documenting and photographing each piece. This context, which I refer to as Domestic Identity, is further explained in my Artist Statement. I invite you to read it by selecting the ABOUT tab above in the Main Menu.
Each piece is made of white stoneware or porcelain, inlayed with black oxide stain, decorated with underglazes and ash glazes, sealed with a clear glaze, and fired to cone 6 (2265*F) oxidation.
Also includes Collaborations with Susan Beiner, Jilli Davis, Cin Harvey, Bradley Paul Klem, & Aimee Marcinko.
Found my niche, found my(self).
Expansion.
Pushing the envelope of Domestic Space.
In 2013, after graduating from ASU, my work underwent a drastic change in material, design and firing. This album illustrates the growth of my work since then. As this body of work (and myself) continued to grow, in 2015 I began incorporating Props to further illustrate the complex context of my work when documenting and photographing each piece. This context, which I refer to as Domestic Identity, is further explained in my Artist Statement. I invite you to read it by selecting the ABOUT tab above in the Main Menu.
Each piece is made of white stoneware or porcelain, inlayed with black oxide stain, decorated with underglazes and ash glazes, sealed with a clear glaze, and fired to cone 6 (2265*F) oxidation.
Also includes Collaborations with Susan Beiner, Jilli Davis, Cin Harvey, Bradley Paul Klem, & Aimee Marcinko.
2012-2013
Experimenting with surface designs. All cone 10 (2380*F) soda fired stoneware. Most thrown, some slipcast. Mishima inlay with black flashing slip.
Experimenting with surface designs. All cone 10 (2380*F) soda fired stoneware. Most thrown, some slipcast. Mishima inlay with black flashing slip.
2006-2011
Experimenting with... everything; surface, form, technique, clay, firing. All cone 10 (2380*F) stoneware.
Truth is, I was a painter before I learned how to throw on the wheel. Here are a few examples I found in the archives...